Lillian Schwartz Movies

  • 1972
    Enigma

    Enigma

    Enigma

    21972HD

    “Lines and rectangles are the geometric shapes basic to ENIGMA, a computer graphics film full of subliminal and persistent image effects. In a...

    Enigma
  • 1974
    Mayan

    Mayan

    Mayan

    21974HD

    This tape combines live-images filmed in the Yucatan with output from the Paik video-synthesizer ribboned with computer-generated images.

    Mayan
  • 2013
    Xtreme Sightings

    Xtreme Sightings

    Xtreme Sightings

    02013HD

    This animation can be watched in 2D or using Chromadepth Glasses in 3D.

    Xtreme Sightings
  • 1977
    L'oiseau

    L'oiseau

    L'oiseau

    31977HD

    A single bird in flight is transformed, enhanced and interpreted so as to present a unique visual experience. From its original inception in a 128...

    L'oiseau
  • 1976
    On-Line

    On-Line

    On-Line

    21976HD

    Musicians and dancer perform in real-time while Schwartz plays a computer-keyboard to create special effects on a computer-controlled video-visual...

    On-Line
  • 1974
    Galaxies

    Galaxies

    Galaxies

    31974HD

    Computer-simulated disk galaxies that are superimposed and twirl through space in beautiful colors at different speeds.

    Galaxies
  • 1997
    Morphing of the Telephone

    Morphing of the Telephone

    Morphing of the Telephone

    01997HD

    A number of telephones from the very first invention by Alexander Graham Bell to the present-day cellular and voice phones are morphed in an...

    Morphing of the Telephone
  • 1973
    Papillons

    Papillons

    Papillons

    21973HD

    Mathematical functions are the basis for a science film on contour plots and an art film. Both are shown simultaneously at a two screen production...

    Papillons
  • 1977
    Mime Control

    Mime Control

    Mime Control

    01977HD

    The artist uses the computer to accent and control a mime’s disciplined choreography. Studies in facial distortions with lens distortions....

    Mime Control
  • 2014
    AZTEC

    AZTEC

    AZTEC

    02014HD

    This animation can be watched in 2D or using Chromadepth Glasses in 3D.

    AZTEC
  • 1976
    Pictures from a Gallery

    Pictures from a Gallery

    Pictures from a Gallery

    31976HD

    Picture-processed photos from the artist-filmmaker’s family. Faces are abstracted in a divisionistic manner.

    Pictures from a Gallery
  • 1977
    Ensemble #1

    Ensemble #1

    Ensemble #1

    01977HD

    Music by Albert E. Miller. Combination of musicians and dancers in free form movements captured by computer-controlled-video which permits...

    Ensemble #1
  • 1974
    Mirage

    Mirage

    Mirage

    21974HD

    Filmed directly from color television controlled by computer programs. Beautifully flowing shapes that overlap and intertwine.

    Mirage
  • 2013
    Lily's Sea

    Lily's Sea

    Lily's Sea

    02013HD

    This animation can be watched in 2D or using Chromadepth Glasses in 3D.

    Lily's Sea
  • 2013
    EXALT

    EXALT

    EXALT

    02013HD

    This animation can be watched in 2D or using Chromadepth Glasses in 3D.

    EXALT
  • 1984
    The Museum of Modern Art

    The Museum of Modern Art

    The Museum of Modern Art

    01984HD

    A short Emmy award-winning animation promoting New York's newly renovated Museum of Modern Art.

    The Museum of Modern Art
  • 2013
    Exquisite Motions

    Exquisite Motions

    Exquisite Motions

    02013HD

    This animation can be watched in 2D or using Chromadepth Glasses in 3D.

    Exquisite Motions
  • 2013
    RGBCMY

    RGBCMY

    RGBCMY

    42013HD

    This animation can be watched in 2D or using Chromadepth Glasses in 3D.

    RGBCMY
  • 1982
    3 Degree K #02

    3 Degree K #02

    3 Degree K #02

    01982HD

    A dance by bodies of shifting colors.

    3 Degree K #02
  • 1976
    Fantasies

    Fantasies

    Fantasies

    21976HD

    Computer generated images used as counterpoint to music “Fantasia & In Nomine” by John Ward, performed by Elizabeth Cohen, Max...

    Fantasies