Babette Mangolte Movies

  • 2020
    Calamity Jane & Delphine Seyrig: A Story

    Calamity Jane & Delphine Seyrig: A Story

    Calamity Jane & Delphine Seyrig: A Story

    02020HD

    Delphine Seyrig decided to work on a film project about Calamity Jane to reveal Jane’s sensibility and insight about life in those letters to...

    Calamity Jane & Delphine Seyrig: A Story
  • 1973
    Surprise Attack

    Surprise Attack

    Surprise Attack

    01973HD

    A pair of one person's hands toss a block of lead back and forth.

    Surprise Attack
  • 1993
    Four Pieces by Morris

    Four Pieces by Morris

    Four Pieces by Morris

    01993HD

    The film is a reconstitution of the seminal performance work done in the early Sixties by the sculptor Robert Morris.

    Four Pieces by Morris
  • 2012
    Roof Piece on the High Line

    Roof Piece on the High Line

    Roof Piece on the High Line

    02012HD

    Trisha Brown original Roof Piece became an emblem of the 1970s for concentrating the spectator attention on far away rooftops. The 2011 dance in the...

    Roof Piece on the High Line
  • 1979
    There? Where?

    There? Where?

    There? Where?

    01979HD

    A naive look at Southern California by an outsider, and/or an essay on displacement through the disjunction of Californian images and off screen...

    There? Where?
  • 1976
    (Now) or Maintenant Entre Parenthèses

    (Now) or Maintenant Entre Parenthèses

    (Now) or Maintenant Entre Parenthèses

    01976HD

    With Linda Patton and James Barth Silent, (24 frames per second) A linear succession of activities/manipulations of objects. Film = Now Projected...

    (Now) or Maintenant Entre Parenthèses
  • 1978
    Cinématon IV

    Cinématon IV

    Cinématon IV

    01978HD

    Reel 4 of Gérard Courant's on-going Cinematon series.

    Cinématon IV
  • 2014
    Je, Nous, I or Eye, Us

    Je, Nous, I or Eye, Us

    Je, Nous, I or Eye, Us

    02014HD

    "The film Je, Nous, I or Eye, Us is a mini essay that replies to a question about subjectivity in the 1970s while I was making my film 'The Camera...

    Je, Nous, I or Eye, Us